Reviews

From the first song on this record, "The Ambassador to Sarajevo," November 5, 1955 definitely set themselves out from the crowded hardcore scene with twists and turns in the music that leave the listener wondering what's going to happen next. Jason Maas' vocals are interesting because he actually has a voice capable of both screaming and singing. This Boston band have really done their homework and have used what they've learned to their greatest advantage. By the time "Jelly Side Down" comes around, the band is really on fire and knows exactly what they're doing and how to get that across.

The middle of the record drags a bit lyrics wise but the instrumentation between guitarists Jason Maas and J. Gus Pesce along with drummer Paul Debenedictis is phenomenal; Debenedictis certainly makes his presence known throughout. The greatest example comes on "Precursor," where everybody comes together in an almost instrumental mass, pulling all the musical strings taught in order to make a melodic hardcore song for the ages.

The pop elements of this band are in full effect on tracks like "March On" and "We Are (Rainbow Bridge)," which have more melody than any other songs on the record. The instrumental breakdowns on almost every song - especially on "Paint Yourself Out" - are so fascinating that the twists and turns are completely unexpected; first they start off extremely slow then five seconds later, they're speeding through as fast as they can.

This band and this record are extremely well-done and stand out from the rest of the shitty pack. By continuing to imrpve on what they've learned and using it to their ability, there's no end to the possibilities for this band in the future. Another candidate for best new band of the year and best debut of the year as well, hands down.